Dolores Lee Untitled Native Amercian Museum of Contempprary Art
In 2016, FarahNheight Fine Fine art gallery (pictured at correct) opened on Paseo Norte and there I met gallerist Gregory Farah, someone who was passionate well-nigh "showing where the gimmicky Native American art motion has been and where information technology's going." Ii years after, in March 2018, the edifice sold and Gregory went virtual.
I invited Gregory to write a few BeyondTaos blog posts introducing Native New Mexico artists producing art today. This is the first installment. Read to the end to detect a cursory bio near Gregory Farah that volition explain how he came to relate to these artists and devote this part of his life to showing their work.
Janet Webb, BeyondTaos
Lynnette Haozous, Apache and Taos Pueblo
Haozous is a multi-medium "artivist", blending fine art and advocacy to bring attending to the current social weather and injustices in Indian State. Mediums include working with acrylics, h2o colors and spray paint. Haozous has as well been an fine art teacher at OFFCenter Community Arts Project and at Working Classroom Inc., both in Albuquerque.
Haozous'southward mural works include Nativo Club Room 519, Hotel Chaco carpet mural, the OT Circus Gallery mural, and FarahNHeight Fine Art Gallery. Haozous is currently an Creative person-in-Residence, working on three on-site murals at a newly built artist residence in Costilla, New Mexico, through FarahNHieght Fine Fine art Gallery. She was recently awarded the 2018-2019 Santa Fe Art Institute Truth and Reconciliation Artist Residency which she will begin in the fall of 2018.
Bobby Bales, Taos Pueblo
Dawning Pollen Shorty, Taos Pueblo
Dawning was educated in the arts at the Plant of American Indian Arts (IAIA) and at the University of New United mexican states. She has won many awards for her micaceous clay female figures. In addition to existence an artist, she is a longtime fine art educator in the Taos Public Schools.
David Naranjo, Santa Clara Pueblo
The artist says of his work: "My inspiration has come from learning the Tewa language. While learning the language, I obtained a deeper understanding and connection to our cultural practices and found that a lot can exist said with few words because you speak from your heart. I plant our way of life to be a class of verse and seek to show understanding and respect while making art as a form of prayer and ceremony. "
About Gregory Farah
Gregory Freeman Farah was built-in in Albuquerque in December 1980 and raised in Los Ranchos de Albuquerque where he lived until 1999.
Gregory'southward mother'southward side of the family unit raised cattle in Lincoln Canton, New Mexico since the 1950s. His father, after attending AUB (American Academy of Beirut), attended Columbia in New York City and that is where the Farah from Gaza met the Scottish Irish adult female from Chicago and together they began their journey to New Mexico.
Although Gregory was born and raised in New Mexico, he has had a life of moving around. He attended collage in Portland, Oregon and New Orleans, where he received a BFA in Middle Eastern History and minor in fine art from Tulane. After attending academic programs in Southeast Asia and South America, he settled in El Paso, Texas long enough to receive an MBA from the University of Texas.
It was the R.C. Gorman (1931-2005) Estate that brought Gregory to Taos in 2010. He ran the Navajo Gallery on Ledoux Street for a few years. (This is where I actually first met Gregory. Webb Design had worked with the gallery since the mid 1980s. At the time I did not recognize his spark of interest in the artists who followed in RC's footsteps.) In 2013, Gregory helped the Estate open up the new Navajo Gallery in Santa Fe. "I credit my fourth dimension with the Manor with giving me a foundation and understanding of the gimmicky Native American fine art movement, introducing me to RC and his contemporaries, many of the legends who laid downwards the groundwork for the movement. I really wanted to promote up-and-coming younger artists; find the adjacent T.C Cannons, Oscar Howes and Helen Hardens."
Then, in 2022 he opened FarahNHeight Fine Art in Taos.
FaraHNHeight went full nomad in early 2022 when there original gallery building on Paseo del Pueblo Norte was sold. Now FaraHNHeight sells online, collaborates with existing business, curates fine art programs and organizes pop-upwards exhibitions in in Taos (Onetime Martina's Hall, Sagebrush Inn, Taos Ale House and Taos Ski Valley), in Santa Atomic number 26 ("FaraHNHeight Fine Creative person'south" on 223 Canyon Route, Noisy Water Wine Bar on 219 W San Francisco St, and soon an auxiliary exhibit at 618 Paseo de Peralta), and in Albuquerque (Gobble This Restaurant in Old Town 308 San Felipe St NW, and Arogya Center 2500 Key Ave SW).
"I would non be an art dealer in any genre of art other than Gimmicky Native American art. To me it'south the most American of art. It takes aspects of sacred folk art, traditional arts, and the spirituality of the indigenous people of these lands we call the Americas. It's based on the symbiotic relationship of the human experience and the environment. I use the metaphor of American Blues music to explain contemporary Native art. The Dejection come from a tragic history of colonialism, enslaving people against their volition, forcefulness-feeding Christianity and puritanical beliefs. Yous become country blues and gospel music that, through the African-American community, eventually mutated and became gimmicky stone and roll. Well, I look at the Contemporary Native American art movement in a similar style. There is something sacred, there is something not to be trifled with, within this artistic motion."
Gregory continues, "These artists are moved by where they come from and what they come across, the power of their elders, iconography, and designs that take been handed down from generation to generation. These gimmicky artists apply traditions equally a template to comprise into something new, a fusion of elements – street art, hip-hop culture or classic fine fine art lessons learned in school or seen in books – and they put it all together and make their own phonation."
Larn more than nearly Gregory Farah and his stable of gimmicky Native American artists on Facebook.
Source: https://beyondtaos.com/contemporary-native-american-artists-part-i/
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